The Devil's Hands Are Idle Playthings

Act I: Mr. Bender, I simply cannot teach your child!
Fry is desperately trying to learn to play the Holophonor, as he once almost won Leela's heart with it. He begs Bender to come and attend his Holophonor recital, and Bender graciously agrees. However, Fry is still very inexperienced, turning his recital into a disaster. This leaves Fry depressed because he can imagine great music, but is not capable of playing it. Just then, Leela tells him that she has a soft spot for men with creative musical talent, like her ex-boyfiend, Shawn, and his saxophone. Bender suggests that Fry should cut a deal with the Robot Devil in order to learn to play the Holophonor. Fry agrees and they travel to Robot Hell and confront the Robot Devil, who tells Fry that he has "stupid fingers", which can't even master a belt buckle. He suggests that Fry takes a pair of robot hands to replace them, and leads them to a big wheel of fortune, containing every robot in existence's name. The wheel lands on the Robot Devil, who reluctantly replaces his hands with Fry's.

Act II: I'm back from Hell, and I've got the Robot Devil's hands!
With his new hands, Fry easily masters the holophonor and soon becomes a star. He even makes his own records and plays in public at Hovercar-negie Hall. Leela is genuinely touched by the beauty of his music. The Robot Devil is desperately trying to get his hands back, but Fry refuses to give them back. Meanwhile, Hedonism Bot asks Fry to write an opera for him, and Fry agrees, provided that he can write it about Leela. He begins his work, and Leela is very impressed by his creative talent, but Fry doesn't want her to hear the opera until it's done. Meanwhile, the Robot Devil cuts a deal with Bender, installing on him a stadium air horn, taking his crotch plate in return. This allows Bender to fulfill his wish of being more annoying. Bender tries out his new function on the first person he sees, Leela. The blast is so loud, she is deafened, the night before Fry's big concert. This is just what the Robot Devil had hoped for--a bargaining chip to use against Fry in return for his hands.

Act III: Please don't stop playing, Fry. I want to hear how it ends.
Fry's opera, Leela: Orphan of the Stars, has its grand premiere in the Metropolitan House of Opera, attended by a huge audience. As she still can't hear, Leela begs the Planet Express crew not to tell Fry that she is deaf, because she fears it would break his heart. The first act, dealing with Leela's past, is a great success. During the intermission, Leela decides that she would give anything to hear the rest, which plays right into the Robot Devil's plans. He agrees to grant her new ears in exchange for her hand, which she accepts, and is given Calculon's ears. The Robot Devil tells her that he will come back for the hand at a later time because the intermission is about to end and he does not want her to be late for the rest of the opera. During the second act, portraying Fry's deal with the Robot Devil, the real Robot Devil makes a personal appearance on the stage, confronts Fry and demands his hands back, or he will take Leela's promised hand - in marriage. Fry is desperate, as his skill with the holophonor (and his ability to impress Leela) lies in his new, robotic hands. Without them, he will not be able to complete the opera he wrote to win her heart. In the end, he decides to give up the hands so that Leela may go free. Left with his old hands, he is unable to play with any amount of skill, and the opera is a flop. Fry sees the entire audience leave in disappointment, as he fumbles to complete his masterpiece. Just as he is about to leave the empty stage, he spots Leela, who alone has stayed in the auditorium. She asks him to play on so she can hear how it ends. Fry smiles and resumes playing, managing to tell the rest of the story, albeit crudely, where he and Leela kiss and walk into the distance, hand in hand. It is worth noting that Fry does in fact play the last few tones perfectly, right before the credits - leading to speculation that he might not have needed the Robot Devils hands after all.

Song lyrics

 * Leela: Orphan of the Stars
 * I Want My Hands Back

Trivia

 * On the spinning wheel used by the Robot Devil to select the robot who will trade hands with Fry, the names it contains are actual robots who have appeared in the series. (See below for the full list.)
 * The grumpy snail is in every holophonor piece Fry plays, except the opera, and is also featured on the advertisement for Fry's record.
 * The final line in the episode took a while to record due to Katey Sagal's involvement with 8 Simple Rules.
 * Dan Castellaneta returns as the Robot Devil, and also plays the slug advertising Fry's album.
 * When the show went on hiatus in April 2002, the Futurama crew made this episode to work as both a season and series finale, as it would give them a 50/50 chance to get renewed.
 * Fry, Leela, Bender, Professor Farnsworth and Richard Nixon are the only characters to appear in both this episode and Space Pilot 3000.
 * Writer Ken Keeler was nominated for an Emmy in 2004 (for Outstanding Music and Lyrics) for this episode (specifically, for the song "I Want My Hands Back").
 * Preacherbot mentions the power vested in him "by the state of New New York." Up until this point, it had never been mentioned if the state's name had changed along with that of the city's, although it was marked as such in Bendin' in the Wind.
 * This is the only time the big screen in the opening sequence shows a picture of the opening sequence itself, repeating itself endlessly.
 * The sign of the Holophonor teacher bears the subtitle Taking the fun out of music for over 20 years.
 * Fry and Bender ride Segways to get to the recital.
 * Amy is using Emotion Flashcards featuring the Poster Guy to tell the deafened Leela what she is supposed to feel during the opera.
 * The contract Leela has signed is headed Standard Diabolical Exchange Agreement.
 * At the end of the episode, just as Leela says "I want to know how it ends." she no longer has Calculon's ears (you need to zoom). In the DVD film Bender's Big Score, she no longer has the ears either, and Calculon doesn't appear. This is often considered a retcon. It is more likely however, that just as Leela's loss of eyesight in was temporary, so too was her loss of hearing in this episode.
 * This episode was named #16 on IGN's list of Top 25 Futurama Episodes.

Goofs

 * During the advertisement for Fry’s record he switches between having normal and robot hands.
 * Tinny Tim holds up a newspaper twice, which title is "New York Post", and not "New New York Post" as it should be.

Inside References

 * This episode takes up the storyline of Parasites Lost.
 * Leela is seen eating a grilled Buggalo leg, a reference to Where the Buggalo Roam.

Outside References

 * Two people in the holophoner image jump over barrels as they walk upstairs, which is similar to the gameplay in Donkey Kong. This links the first episode (Space Pilot 3000) and what was at the time of production the final episode of the series in that they both have a Donkey Kong reference.
 * The idea of someone selling something to the devil for an artistic talent is similar to The Devil and Daniel Webster.
 * The name of the opera hall where Fry's opera debuts is MHOp (Metropolitan House of Opera), a reference to both IHOP (International House of Pancakes) restaurants and the Metropolitan Opera House in New York City
 * The plot may be based on Goethe's Faust

Characters

 * Amy
 * Bender
 * Calculon
 * Fawn
 * Florp
 * Fry
 * Hedonism Bot
 * Hermes
 * Humorbot 5.0
 * Leela
 * Debut: Mrs. Mellonger
 * Morbo
 * Morgan Proctor
 * Preacherbot
 * Professor Farnsworth
 * Richard Nixon's head
 * Robot Devil
 * Tinny Tim
 * Zapp Brannigan
 * Zoidberg

Episode Credits

 * Writer
 * Ken Keeler
 * Director
 * Bret Haaland
 * Voice Actors
 * Billy West
 * Katey Sagal
 * John DiMaggio
 * Tress MacNeille
 * Lauren Tom
 * Maurice LaMarche
 * Phil LaMarr
 * David Herman
 * DVD Commentary
 * Matt Groening
 * David X. Cohen
 * Ken Keeler
 * Bret Haaland
 * Billy West
 * Maurice LaMarche
 * Dan Castellaneta
 * Special Guest
 * Dan Castellaneta